Letter from Cannes

by Larry Kardish Cannes is the mother of all film festivals. Not only because of where (on the Cote d’Azur) and when (mid-spring) it takes place, but because, at its core, Cannes is a festival for film professionals. Unlike most other festivals, which serve the citizens of their locations, Cannes requires anyone who attends its Official Selection to be accredited. If in its Paris office the organizers of the festival grant an accreditation (there are more applications than accreditations) to someone as a professional in a particular cinema field (actor, director, producer, writer, press, film festival organizer, etc.), then that person is invited, free of charge, to attend screenings. Free of charge is nice, but one still has to get to the south of France, only to find both accommodation and food, especially in Cannes itself, quite pricey. The Competition…

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The Crandell’s Very First Movie Was a Foreign Film

by Larry Kardish We don’t yet know what film will reopen the restored Crandell in October but we do know what was the first to play in our beloved theater when it opened on December 25, 1926: Michael Strogoff, a mission-impossible, action-packed epic that at two-and-a-half hours is virtually as long as Tom Cruise’s latest adventure. Strogoff, a young soldier and the tsar’s “courier,” travels incognito across Russia and into far Siberia with a secret message to prevent an alliance between invading Mongol hordes and a traitorous provincial governor. Along the way he is mauled by a bear, fights many battles, is twice captured, tortured, perhaps blinded, and finds love. Based on Jules Verne’s immensely popular 1876 novel of the same name, it has been made into at least seven movies and two television series. But the version that inaugurated…

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Balcony Stories: Preserving Seats and Memories

Later this summer, thirty-six of the original wood and cast iron balcony seats will return to the theater as a living museum of the past. But “rather than a complete strip and refinish,” says Crandell restorer Vance Pitkin, “we’ll be preserving the original antique look and feel.” The seat construction, he says, strongly suggests the seats are original to the Crandell. “The backs are laminated wood, the arms are solid maple, the frames are cast iron and the seats are padded leatherette, all materials that are consistent with the age of the theater,” he adds. “The frames will be repainted the same color, reddish brown with gold highlights, instead of being matched to the new seats.” Although the rest of the new theater seats will feature modern conveniences like lumbar support and cup holders, these originals “are surprisingly comfortable,” Pitkin…

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Dish Giveaway Nights at the Movies

Early Stories of the Crandell Theatre Few people today may remember a time when the Crandell offered more than free popcorn to its members. But Chatham native Mace Sawyer heard all the stories – and still has the sets of dinnerware her grandparents, Edith and George Rochester, received in the 1930s and 40s. “I remember my grandmother saying they got the dishes by going to the movies,” she says. She’s donating them to the Crandell for posterity. Mace and her late husband, Dwight, who owned Chatham Auto Body Repair for years (now owned by their son) always collected objects “that came from Chatham’s history. I’m giving these dishes back so everyone can see them. Otherwise they will be in a cabinet, where no one can. I want to keep the memories of Chatham alive.” Chathamite Dale Shannon recalls that Tony…

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From Vacant Lot to a Modern Movie House

Early Stories of the Crandell Theatre “Walter S. Crandell, of New York and Chatham, says that while it is not an absolute certainty he will erect a theater, store, and office building on the vacant lots on the property known as the Crandell homestead on Main Street, it is his intention to do so if possible.” So reported the Chatham Courier on March 19, 1925, the first official mention of the Crandell Theatre to come. The vacant lot was once the home of Crandell’s grandfather Solomon, one of Chatham’s earliest settlers who built the village’s first general store. Silent “photoplays” had been screening in Chatham since 1907. Cady’s Hall, the long brick building on Main Street that now houses Bimi’s and Pookstyle, showed these early moving picture shorts on emerging projectors. Beginning as an opera house and alternately known as…

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The Crandell and FilmColumbia: The Renowned Festival’s Backstory

by Peter Biskind A behind-the-scenes look at what has made The Crandell’s FilmColumbia Festival, approaching its 25th anniversary this fall, the toast of the town. Speaking for the Crandell board, I’m happy to assure Chatham’s movie lovers that the renovation slash restoration of the theater is proceeding on schedule, and will be finished in plenty of time for the theater’s 100th anniversary next year. Running a single-screen theater at a time when even the multiplexes are struggling to stay alive is no small thing, but with the help of our loyal audience, we’ve managed to scrape by, furnishing Chathamites with a regular diet of studio and indie hits, despite the fact that the big studios often demand that we run their films for two or three weeks, which is fatal to our box office. We’re particularly proud of our annual…

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